
Elevate your skills with our 24-hour Advanced Mastering course, ideal for graduates of our Mixing and Mastering program or self-taught mixer-producers. Master songs and soundtracks of all genres for various streaming platforms in this modern course designed for today’s multi-genre engineer/producer.
Our Miami classes for the Advanced Mastering Class are small and hands-on, taught at our studio by producers active in the city's electronic, Latin and hip-hop scenes. If you would rather learn from home, the same sessions run live online with the same instructors and the same class size, using our specialist music collaboration software, Muse.
Who is this course for?
Our instructor roster ranges from Multi-Platinum Songwriters and Producers to rising Miami Hitmakers and Mixers
Contact Admissions Discover qualities that distinguish us, here.
“At last I have a clear perspective of how mixing and mastering works!”
Andres Alzate
Yes. The Advanced Mastering Class runs in person at Garnish Miami and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
Yes. The Advanced Mastering Class can be taught one-to-one, in person in Miami or online, built around your own projects - ask admissions about private instruction.
Mastering songs and soundtracks of every genre for the streaming platforms, as today's multi-genre engineer-producer has to.
The Advanced Mastering Class runs 24 hours. Tuition at Garnish Miami: $1,499 + $100 registration (14+ days out) / $1,799 + $200 otherwise.
Graduates of our Mixing and Mastering course, and self-taught mixer-producers ready for the last step.
$1,499 + $100 registration (14+ days out) / $1,799 + $200 otherwise
A full guide to mastering - what it is, how multi-band compressors work on the master buss, choosing crossover points and prepping tracks.
Read →Mastering is a vital part of the recording process, so much so that a substantial amount of ‘mystery’ is associated with it. We’ve all heard stories of…
Read →Typically you should be situating yourself and the two monitors at each corner of an equilateral triangle – pictured below – with you head positioned at…
Read →A mix is not a set of static positions. Fader rides, send moves, section steps and the four automation modes - plus the override that catches everyone.
Read →Gain structure, why faders belong near unity, and how side-chain routing works - the plumbing that everything else in a mix sits on.
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →