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Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit
Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →The Best Portable Speakers on the Market
Devious Soul shares his thoughts on the best portable speakers on the market There once was a time when the above contraption was the only way to make your sounds loud and portable but let’s face it; the 'boom-box' was a pretty cool piece of kit! Alas, as technology has advanced over the years and e
Read →Ableton Live 10 | New Features - What's New VIDEO
Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →How to Make Dubstep
Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
Read →Which DAW is better – Logic, Pro Tools, FL, Ableton or Cubase?
When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Pete Waidson & Michael ‘The Fox’ Gleeson – Toolroom records release
In January Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A
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