{"id":11616,"date":"2022-06-05T22:39:24","date_gmt":"2022-06-05T22:39:24","guid":{"rendered":"https:\/\/la.garnishmusicproduction.com\/?p=11616"},"modified":"2022-07-27T16:01:56","modified_gmt":"2022-07-27T16:01:56","slug":"noisy-strings","status":"publish","type":"post","link":"https:\/\/mia.garnishmusicproduction.com\/ableton\/noisy-strings\/","title":{"rendered":"Noisy Strings"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=”https:\/\/youtu.be\/N5Hm7HJcp4o” css=”.vc_custom_1530667756689{margin-bottom: 24px !important;}”][vc_column_text]Let\u00b4s make some sound design today.<\/p>\n

I want to make some noise strings with the brand new Wavetable synthesizer from Ableton 10.<\/p>\n

First, I want a slow amplifier envelope, so the maximum point of the sound does’t happen immediately, and neither ends abruptly after releasing the keys.
\n[\/vc_column_text][vc_single_image image=”11618″ img_size=”full” css=”.vc_custom_1530667793610{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_column_text]For the source of the sound, I\u00b4m going to choose the first wavetable from the Retro folder, Echoes, and I\u00b4m going to modulate the position of the wavetable with the LFO2, which I programmed very slow, 0.01 Hz, sine wave, and very important that it DOES NOT re-trigger, so \u00b4R\u00b4should be off. In this way, the modulation keeps going even if we play a new note.[\/vc_column_text][vc_single_image image=”11625″ img_size=”full” css=”.vc_custom_1530667826325{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_single_image image=”11624″ img_size=”full” css=”.vc_custom_1530667843287{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_column_text]The same LFO2 is going to modulate the position of the second oscillator, which is the first wavetable of the Noise folder, and the LFO2 is modulating one of the parameters of the Modern fx section, Fold. Warp is modulated by the first LFO, which has been programmed to a sixteenth note of modulation, half second of attack so the oscillation does not happen immediately. The same LFO 1 is used to modulate the filter frequency, which is as well modulated negatively by the second envelope, so the cutoff bounce towards zero in a very short period of time, creating a sweet swing in the frequency.
\n[\/vc_column_text][vc_single_image image=”11621″ img_size=”full” css=”.vc_custom_1530667880250{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_single_image image=”11623″ img_size=”full” css=”.vc_custom_1530667917526{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_column_text]Finally, we add a sub oscillator two octaves down, and the beautiful unison, which is a way to detuned and fatten the sound.[\/vc_column_text][vc_single_image image=”11622″ img_size=”full” css=”.vc_custom_1530667946282{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_single_image image=”11620″ img_size=”full” css=”.vc_custom_1530667963623{padding-top: 24px !important;padding-bottom: 24px !important;}”][vc_column_text]The modulation matrix ended up being like this:[\/vc_column_text][vc_single_image image=”11619″ img_size=”full” css=”.vc_custom_1530667995461{padding-top: 24px !important;padding-bottom: 24px !important;}”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

We can all agree that MUSIC and how it sounds & makes us feel is the most important thing that we do as Producers\/Composers\/Beatmakers, etc. Now, when you think of the phrase \u201cMusic Production\u201d, you can\u2019t really help but think about the second word \u201cPRODUCTION\u201d, which is derived from the latin word \u201cproducere\u201d (which means to bring forth). With regards to \u201cMusic Production\u201d, we are really referring to the overall sound of a musical recording but we are also referring to how it is actually created and formulated.<\/p>\n","protected":false},"author":51,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[341,342],"tags":[355,345,354,353,356],"class_list":["post-11616","post","type-post","status-publish","format-standard","hentry","category-ableton","category-tutorials","tag-ableton-10-wavetable","tag-ableton-live","tag-ableton-wavetable-synth","tag-noisy-strings-in-ableton-live","tag-noisy-strings-wavetable"],"_links":{"self":[{"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/posts\/11616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/comments?post=11616"}],"version-history":[{"count":0,"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/posts\/11616\/revisions"}],"wp:attachment":[{"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/media?parent=11616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/categories?post=11616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mia.garnishmusicproduction.com\/wp-json\/wp\/v2\/tags?post=11616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}